Yuliia KishchukPostcoloniality of dreaming (pt.1)Ever since the Russian invasion of Ukraine, I started to dream, wildly and vividly, about Russia. I have never been there; moreover, I…May 20May 20
Yuliia KishchukКниги, статті та лінки, які допоможуть вам навігувати тему Палестинської історії та спротивуОстанні кілька днів після того, як почалися чергові сутички у Палестині та Ізраїлі кілька моїх українських друзів написали з проханням…Oct 9, 20231Oct 9, 20231
Yuliia KishchukCross-stitches that bind us together: on Ukrainian and Palestinian embroidery“We have to revive our muscular memory. The memory of us before we were made into types before we were taxonomies”, says Ariella Aїsha…May 19, 20231May 19, 20231
Yuliia KishchukI have been thinking about the relationship between aura and photography for the past few days…For Barthes, the punctum makes a photograph memorable and painful. The detail lingers in the viewer’s mind, haunting them long after seeing…Mar 31, 2023Mar 31, 2023
Yuliia KishchukПам’ять як пунктум“Camera Lucida” французького теоретика фотографії починається з пригадування. Він дивиться на фото мертвої мами, фото зі Зимового саду, і…Feb 2, 2022Feb 2, 2022
Yuliia KishchukSensing place through work: a photo (her)story of my neighbor Milia PetrivnaJan 29, 2022Jan 29, 2022
Yuliia KishchukVisual diary. “Eux et Moi” — sincere anthropology?From the first glance “Eux et Moi” produced by the French anthropologists, director and photographer Stephan Breton seems very disturbing…Apr 22, 2021Apr 22, 2021
Yuliia KishchukVisual diary. On materiality of photographyThe filmmaker is searching for the cultural and social meaning of the photography. Instead of asking “what is photography as a medium” he…Apr 20, 2021Apr 20, 2021
Yuliia KishchukVisual diary. Leave your lenses at home — “Woman, native, other”Without any doubts, topic of colonialism and colonial representation of “the other” was one of the central for this course. Anthropology…Apr 19, 2021Apr 19, 2021